But Am I Newsworthy?

newsletter subscribe buttonI love getting newsletters from writers.

Why? I’m not absolutely sure. Maybe it’s because newsletters give, instead of asking or taking: they come with content just for me (well, not just for me, but for the mailing list members), and I’m not expected to share or retweet or comment or vote or click “like” — these social media engagements aren’t bad things, of course, but there’s an expectation of visible support, and it’s obvious when not given. While I like to show as much enthusiastic public support as I can to authors I admire, there’s something nice and pressure-free about just opening an email and reading it without having to respond. Yes, a newsletter is technically a marketing tool, but it’s also a gift from author to readers, and the best ones don’t feel like self-promotion.

I’ve been thinking for a while that I’d like to have a newsletter of my own; however, one big thing was holding me back. I kept asking myself, “But am I newsworthy?”

candy heartHere I am, thinking that I would like to give the gift of a private, special newsletter to anyone who is interested in my stories — and I’m wondering whether I’m good enough to do that.

Since when did giving a gift depend on the giver being worthy?

I woke up to this thought at the beginning of the week, and realized that now is the time to go ahead and create a mailing list, with a goal of sending out a monthly newsletter. We hear all the time that smart writers establish mailing lists well in advance of any book release; there’s no way to do that and also achieve some kind of invisible goal of becoming Important Enough For A Newsletter before starting one.

No one is being forced to sign up. If I end up sending out, say, a flash fiction story or an excerpt from something I’m working on, and it only goes to a handful of people, so what? Those people get something no one else does. No one is imposed on by the mere existence of a newsletter, right? I keep telling myself this.

candy heartBut this is exciting: I’ve realized I can do something with a newsletter that I can’t do on a blog or Facebook page or anywhere else — I can customize it to the preferences of those who sign up. One of the questions on my sign-up form is about comfort level: Sweet (prefer no explicit sex or swearing) or candy heartTart (okay with sexy description and gritty language)? That way, I can send my Sweets an excerpt that won’t make them blush, and my Tarts can get something a little dirtier.

I still feel strangely guilty, greedy, and not newsworthy enough to have my own newsletter. But it’s time to stop validating those feelings and go forward.

Be a sweetheart; sign up!
(But only if you want to. No pressure.)

Writers, have you hesitated to start a newsletter because of doubts about being worthy? Did you end up doing it?

And readers, what do you love best about newsletters? What makes the great ones so awesome?

Having Profiles All Over

So it seems that we’re expected to have profiles all over the place, for this and that. I seriously think I could spend all my time updating here and there, if I tried to do them all, and I’d never actually get to writing. No, thank you.

But for a writer, it’s apparently important to be out there — to be findable, to have a presence. Mind you, I’m not really at that stage yet, since I’ve only recently had my first acceptance for a print anthology, and the only story I’d previously had published was in an online magazine which has sadly since gone dark (the excellent 10Flash, which was edited by K.C. Ball). Still, presence. How do you do that and stay sane? It’s about all I can manage to blog occasionally and post the odd remark on Twitter or Facebook, maybe go +1 a few things on G+ if I’m feeling energetic.

So today I stumbled across something called about.mehere’s my brand-new profile — and decided to give it a go. Why? Because it’s essentially static. See, it struck me that the answer might be found in many static points of contact leading to a few active places. So about.me wants a teeny chunk of setup effort, and then it’s done. I don’t even have to go back there and log in.

I don’t have any published books to promote yet, but I’m betting author profiles on social reading sites can work the same way. Not user profiles, because that’s just as much work as having another Facebook or Twitter account to update, but the author profile thing. From what I can tell, it only makes sense to smarten up your author profiles wherever they can be found (like Shelfari and LibraryThing and Goodreads) because they look so blank and unappealing when they haven’t been done. Someday when I have books for sale, I am totally going to make sure my author profiles on those sites look sparkly and cared-for, and they’ll point readers right here to where I already am.